By Abdelkader Benali
Sunday 3 October 2010
Courtesy Of "The Guardian"
When I arrived with my mother in Rotterdam in the late 1970s, we thought we had found a safe haven. Coming from the sharp-edged mountains of north Morocco, the streets of the Low Countries felt like a place where everything could be done better. It did not seem possible that, 30 years later, the likes of Geert Wilders would wield influence, pushing his ban on the burqa, but then there were no burqas to be seen in the street.
The Netherlands felt like a country that would never betray me. I was greeted with enthusiasm at kindergarten; my name was the longest among the pupils and it was assumed I was very proud of that. Dutch culture was like a tattoo being imprinted on my brown skin. I learned the language and delighted in excelling at it in front of my teachers. I was their dream of multiculturalism: a foreigner who showed he could adapt to their culture through language. The mothers of classmates would inform me that they loved Moroccan cuisine, especially couscous. They would speak vividly, romantically about foreign cultures such as mine, and I felt proud. The fact that I was different made me feel special. And the Dutch created wonder in me as a child. They tolerated their dogs on their couches; they gave generously to faraway peoples suffering from disaster and sickness. I didn't only read fairy tales, I lived one.
Then came the fall of the Wall, the 1990s and change. Europe decided it needed immigrants. The first change I saw was at home. My parents, growing older, gave up hope of the family returning to Morocco. Slowly, the feeling took over that we were here to stay, maintaining the privileges and opportunities of living in Europe. With that came the unease that their children would lose their identity. Already, we spoke Dutch, not Berber.
Meanwhile, the Dutch were waking up to the reality that most immigrants would never go back. Friday evening in Rotterdam saw large groups of immigrant children in the streets, estranged from their roots, trying to find solace in consumerism and urban culture, but also feeling alienated from Dutch society. Turks hung out with Turks, Moroccans with Moroccans. The melting pot didn't heat up, the elements weren't mixing. In my neighbourhood, former convicts stopped me to talk about Islam. They felt that my staunchly secular lifestyle would not only bring disaster to me, but also to the spiritual community of Islam. A young friend introduced me to his uncle who had just came back from Afghanistan. He was a mujahid.
I failed to see the shift. Immigrants had been seen by most Dutch as a marginal, colourful people from whose shops they could buy their meat and vegetables at ridiculously low prices. I knew this because my father had a butcher's shop and I would sell them their lamb chops. As the 1990s progressed, the difference between allochtoon – one "originating from another country" – and autochtoon – "one originating from this country" began to be emphasised. Allochtoon started becoming synonymous for criminality, big families, bad living and Islam. This wasn't restricted to Holland. In Germany, questions were being raised about Turkish immigrants adhering to a fundamentalist Islam. Thousands of young French-Algerian football fans stormed the pitch when France played Algeria, their way of saying: "We don't feel we belong in this country."
So what had changed? I believe it was memories of war. The mass destruction of its people had given Europe a self-image as an intolerant, cruel continent. The deep feeling of guilt towards the victims had to be made good in the attitude towards new immigrants. The immigrant became a totem of the left-wing elite, of which there could be no criticism. Multiculturalism became the catchphrase.
In the banlieus of Paris, young immigrant girls could not go out in the evening for fear of being beaten by their brothers. No criticism. Immigrants from West Africa could keep four woman in the same quarters. The elite did not intervene, for this was their culture. Society leaders believed that over time these immigrants would assimilate. A Moroccan would become Dutch, an Algerian French, a Turk Swedish.
This did not happen. They did the reverse. This was the moment the fear crept in, threatening the idea that Europe could assimilate its new citizens. If these immigrants adhered to their practices and rituals such as slaughtering their sheep on the balcony and not allowing their girls to go to school, Europe was being undermined from the inside.
It is in this context that Geert Wilders can proclaim that there is no moderate Islam, that any Muslim who calls himself a Muslim will one day become radicalised. This is not just a trick of words; when Dutch people who voted for Wilders looked out of the window, they really had this feeling that their Muslim neighbours were becoming more Muslim, not less. They saw girls in burqas, proclaiming that this was an individual decision strengthening their spiritual relationship with Allah. The Dutch wondered if somebody putting a cloth over herself could be a individual in their open society.
The burqa worried me too. But I saw Wilders's move as a dangerous way of turning populist sentiments into cold-blooded politics and creating a new sort of fear.
The place of the Second World War in all this is growing more complicated. Populist parties in the Netherlands, Denmark and France are linking Islamist ideology to fascism. Islam is the new Nazism and Muhammad is their Hitler. History has become a blueprint for a new history: the world war against Islam.
In the 1980s, this message would have made people laugh, but not now. Look around. In Sweden, the debate around Islam and migration is growing in urgency. And Islam is just a particularly toxic element in the anti-immigrant movement. Nicolas Sarkozy, who is part Jewish, is throwing out the Roma. In Germany, the country of the Holocaust, a former head of the Bundesbank, Thilo Sarazzin, is making a plea for reducing working-class immigrants because of their low IQ.
The idea that Europe is being kidnapped by an ever-growing non-western population is creating fear and populist parties are winning. But it will be impossible to stop migration. European populations are growing older, the workforces shrinking. But speaking in favour of migration – passionately, because I am a child of migration and make literature out of all its painful and comical contradictions – has become a form of blasphemy.
Certainly there is something rotten in multiculturalism, but turning the stereotypical victim into the stereotypical scapegoat is cheap and does not do justice to reality. I know that the Netherlands of my childhood will never come back. We are entering a dark period. A generation is growing up with xenophobia and the fear of Islam has become mainstream.
It's time to come up with a new idea of what Europe is, drawing on the humane Europe as defended and described by writers such as Thomas Mann and Bertol Brecht. A Europe that newcomers consider a refuge, not a hell. If not, Europe will not die for a lack of immigrants, it will die for lack of light.
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